In New York, Marc Jacobs is betting on color

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Four minutes. Thirty-one looks.

Back at the New York Public Library, Marc Jacobs delivered one of the densest collections of the season: a lightning-fast show that says everything about his way of working: by instinct, by conviction, off-schedule, outside the norm.

© Alexandra Arnold

He himself lays out the season's theme in black and white in his notes: gratitude. "Creating, as an act of gratitude, is my truest form of personal expression." Each garment is conceived as a thank you, to those who have supported him, to those who have inspired him. On the runway, this translates into an explosion of color. Tights in saffron, fuchsia, and navy. Knits in shades of tomato, cyan, and rust. A top that matches the bottom, or deliberately mismatched. Color is a language.

The silhouettes pile up and become unbalanced. PVC tank tops layered over nylon turtlenecks. Polka-dot pleated skirts with lined waistbands. Translucent veils layered over saturated bases. An icy-blue pencil skirt paired with a work jacket. A plum-colored bodysuit adorned with mismatched necklaces. Jacobs loves the tension between lightness and structure, and he masters it.

Ultra-mini lengths continue their trend from the previous season, but with a new intensity. Trousers disappear in favor of bodysuits worn as micro-dresses, and couture jackets sported with bare legs.

Marc Jacobs is one of the few designers who can cite Chanel Spring 1993, with its iconic bodysuits.

But also Junya Watanabe's 1996 groundbreaking show full of PVC, or Prada from the late 2000s in the same collection. He also draws on his own archives: his 1998 and 2000 collections, and the Louis Vuitton Spring 2009 collection.

This show cannot be interpreted in isolation. First, there's the return of Marc Jacobs Beauty: the makeup line relaunched this season, whose DNA is based on personal expression. The colorful tights, the bold lipstick, the makeup that complements the clothing—none of this is accidental.

Then, the business side of things: LVMH sold its stake to WHP Global and G-III Apparel Group in a transaction estimated at $850 million. A major turning point for the fashion house. Jacobs doesn't say anything directly about it, but his show notes speak for him: "At the heart of challenges lies purpose, and in change lies possibility." His Instagram mantra, #gratefulnotthateful, sums up the rest.

Four minutes to remind us that fashion can still surprise without sacrificing emotion. Marc Jacobs transforms an intimate feeling into a visual manifesto. No traditional finale, no backstage appearance: just the clothes, and all they convey. That's enough.

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