Venice, this amphibious city that seems to have danced on the water for centuries, is once again preparing to become the stage for a world-class architectural reflection. Under the direction of Carlo Ratti, the Biennale Architettura 2025 unfolds a bold manifesto around a multifaceted and abundant concept: Intelligens. Natural. Artificial. Collective. Architecture becomes a dynamic force of adaptation, an evolving response to a rapidly changing world.

Project title: Living Structure
Participants: Sekisui House – Kuma Lab, The University of Tokyo, Matsuo – Iwasawa Lab, The University of Tokyo, Ejiri Structural Engineers, Kengo Kuma & Associates
Venice, laboratory of the future
The exhibition, which will run from May 10 to November 23, 2025, is anything but a static display. It is part of a movement, a constantly evolving thought process where architects, engineers, scientists, artists, philosophers, and even chefs intersect. This edition of the Biennale invites a profound re-examination of the role of architecture in a world marked by the climate emergency and the emergence of new forms of intelligence, whether human, artificial, or collective.

Gateway to Venice's Waterways, 2024 – ©NormanFosterFoundation
The era of adaptation: a necessary turning point
Carlo Ratti, an insatiable visionary, has dedicated this Biennale to adaptability. In his view, the climate crisis demands a radical break with traditional approaches. Until now, architecture has focused on mitigating the effects of global warming, seeking to minimize its ecological impact. This paradigm is no longer sufficient. Faced with record temperatures, increasingly frequent natural disasters, and rampant urbanization that is depleting resources, we must rethink how we inhabit the world. Architecture must transform into an art of resilience, capable of integrating, anticipating, and collaborating with the forces of life.

ARBOR, 2025: Carbon Capture and Storage Potential of the Forest Ecosystem
From the moment they step into the Corderie de l'Arsenale, visitors are immersed in a scenography that reflects this sense of urgency. The exhibition opens with a stark observation: the planet is burning, sea levels are rising, and societies are faltering. The projects presented are not intended to fuel an alarmist dystopia, but rather to offer solutions.
Each section explores a type of intelligence applied to architecture. Natural intelligence draws inspiration from biomimicry and the ingenuity of ecosystems to propose new forms of habitat. Artificial intelligence, far from being a threat to human creativity, becomes a tool for experimentation to design more efficient, adaptive, and scalable structures. Finally, collective intelligence embodies the power of knowledge sharing, interdisciplinary dialogue, and co-creation.

Project title: Manameh Pavilion; Participants: Alia Al Mur, Yusaku Imamura, Ahmed Shabib, Rashid Shabib, Jonathan Shannon and Vladimir Yavachev.
A Biennale founded on diversity and inclusion
Venice itself becomes an integral part of the discourse. The floating city, threatened by rising sea levels and the onslaught of mass tourism, reinvents itself as a life-size laboratory. Experimental installations are deployed beyond the Giardini and the Arsenale, extending into other neighborhoods, infiltrating the urban fabric, and involving its inhabitants.
The selection process for participants illustrates this commitment to inclusion and openness. For the first time, an open application platform allowed for the collection of projects from around the world. Far from an elitist selection, this approach enabled the emergence of unexpected proposals, submitted by both established figures and emerging, as yet unknown, talents. Thus, among the 750 participants, one finds architects awarded the prestigious Pritzker Prize alongside recent graduates, renowned scientists collaborating with craftspeople, and experimental designers working with climate engineers.
This diversity is also reflected in the national pavilions, where sixty-six countries present their vision of intelligence applied to architecture. From Italy, which explores the age-old wisdom of its relationship with the sea, to Qatar, which examines the concept of shared living, each nation contributes to a global reflection.

Construction Futures: Co-Poiesis; Participants: Philip Yuan
Flagship projects and disruptive innovations
In this intertwining of visions and experiences, some projects captivate with their audacity. Living StructureLed by Kengo Kuma and his teams, it reinvents the art of construction by merging ancestral Japanese carpentry techniques and artificial intelligence to transform raw wood into fluid and organic structures. Matter Makes Sense focuses on the materials revolution and explores the future of bio-concrete, banana fiber, and graphene. In a more radical vein, The Other Side of the Hill envisions a future where built structures could be designed in symbiosis with microbial ecosystems, thus rethinking the very notion of sustainability.

Project title: The Other Side of the Hill.
Participants: Beatriz Colomina, Roberto Kolter, Patricia Urquiola, Geoffrey West and Mark Wigley.
The program GENSConceived as an intellectual agora, it gives a voice to architects, urban planners, climatologists, sociologists, and artists to fuel this debate in real time. The exchanges continue through a packed program of conferences and workshops open to the public. The Biennale becomes a space for transmission and experimentation, a catalyst for ideas and action.

Project title: Speakers' Corner
Participants: Christopher Hawthorne, Johnston Marklee and Florencia Rodriguez
Rethinking the world through architecture
Underlying this flurry of activity, one question remains: can architecture still save the world? Far from providing a definitive answer, the Architecture Biennale 2025 It sketches out paths, raises awareness, and proposes alternatives. Intelligence, in all its forms, becomes the raw material for an architectural renewal. In the shadow of Venetian palaces and amidst the shifting reflections of the lagoon, this edition reaffirms a fundamental principle: building is not simply erecting walls, it is imagining possible worlds.

Project title: The Other Side of the Hill.
Participants: Beatriz Colomina, Roberto Kolter, Patricia Urquiola, Geoffrey West and Mark Wigley.

Project title: Elephant Chapel; Participant: Boonserm Premthada

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