A playful interpretation of Arab architectural elements distilled through foreign eyes, most notably those of New Zealand architect Bergendy Cooke: this is how the majestic Villa Brummell Majorelle in Marrakech is presented. Inspired by, but not replicating, the architectural richness of this world, the building's silhouette pays homage to the ancient ramparts of the medina in the famous red city.
The various incisions in this solid, sculptural ochre mass can be said to offer a variety of spatial experiences through scale, light and shadow. The surrounding gardens use a similar language. Different levels of planting form private gardens for guests, contrasting with the sculptural form of the building and reinforcing the idea of an urban oasis.
"It was important to be playful," explains the architecture studio. "It's not a serious building but rather an enchanting one that (hopefully) evokes pleasure. It's neither prescriptive nor trying to replicate local architecture."
As for the exterior, it's composed of various plaster finishes, handmade tiles and local terrazzo in the communal spaces, including the entrance wall defining its presence on the street. Brass highlights denote the transitions between different spaces, from street to hotel and from public to private spaces.
Built on three levels, this hotel also features a traditional hammam, designed in local marble and tadelakt, a typical Moroccan plaster. An ideal place to relax after a visit to the Yves Saint Laurent Museum.
