A playful interpretation of Arab architectural elements, filtered through foreign eyes, particularly those of New Zealand architect Bergendy Cooke: this is how the majestic Villa Brummell Majorelle in Marrakech is presented. Inspired by the architectural richness of this world without reproducing it, the building's silhouette pays homage to the ancient ramparts of the medina of the famous red city.
The various incisions in this solid, sculptural, ochre mass can be said to offer a variety of spatial experiences through scale, light, and shadow. The surrounding gardens employ a similar language. Different levels of plantings create private gardens for guests, contrasting with the building's sculptural form and reinforcing the idea of an urban oasis.
“It was important to be playful,” explains the architecture studio. “This isn’t a serious building, but rather an enchanting one that (hopefully) evokes pleasure. It’s neither prescriptive nor does it seek to replicate local architecture.”
As for the exterior, it features various plaster finishes, handmade tiles, and local terrazzo in the communal areas, including the entrance wall that defines its presence on the street. Brass accents denote the transitions between the different spaces, from the street to the hotel and from public to private areas.
Built on three levels, this hotel also features a traditional hammam, crafted from local marble and tadelakt, a typical Moroccan plaster. An ideal place to relax after a visit to the Yves Saint Laurent Museum.
